For this production, I was given the chance to work as a costumier alongside a more experienced costumier, Margot Sephton. Together we were tasked with sourcing, altering, making and fitting period-accurate costumes for the famous production of Night Must Fall.

This was my first opportunity to take on the role of a costumier and it was tremendously valuable to me. I spent hours researching colours, fabrics, fit, and styles to match the period of this production and spent most of my time digging through storage with Margot debating on cardigans and tweed. While this production was a very new experience for me it built a foundation of skills that I currently use in my practice. 

For our work on this production, Margot and I were nominated for a Lyrebird Award for Best Costume in a Drama.